{"id":10293,"date":"2016-05-26T08:49:24","date_gmt":"2016-05-26T08:49:24","guid":{"rendered":"https:\/\/africaresearchinstitute.org\/wordpress\/?p=10293"},"modified":"2016-11-10T13:45:49","modified_gmt":"2016-11-10T13:45:49","slug":"kids-in-a-sweet-shop-corruption-in-post-ebola-sierra-leone","status":"publish","type":"post","link":"https:\/\/africaresearchinstitute.org\/wordpress\/kids-in-a-sweet-shop-corruption-in-post-ebola-sierra-leone\/","title":{"rendered":"“Kids in a sweet shop”: corruption in post-Ebola Sierra Leone"},"content":{"rendered":"

\u201cYou can tell that Ebola is no longer a constant worry for residents of Freetown,\u201d a friend told me on a recent trip to Sierra Leone\u2019s capital, \u201cjust listen to the taxi drivers complain. For a long time they grumbled about the restrictive impact of Ebola, now they are back to complaining about the daily corruption they face\u201d.<\/p>\n

The last man still standing<\/strong><\/p>\n

In the week before 27 April 2016 \u2013 the day Sierra Leone celebrated 55 years of independence \u2013 musician Emmerson Bockarie<\/a> launched his latest album. \u201cSurvivor\u201d reportedly sold 12,000 copies<\/a> within 24 hours of being released. Emmerson is not someone to shy away from controversy. His self-proclaimed status as \u201cthe last man still standing\u201d is a reference to his continued artistic independence and resistance to political interference.<\/p>\n

Back in 2007 Emmerson\u2019s album \u201cBorboh Belleh\u201d (meaning \u201cgluttonous boy\u201d) castigated perceived failings of the Sierra Leone People\u2019s Party government. In an election year, it gathered widespread popular support which the All People\u2019s Congress (APC) used to its advantage. After his election as president, Ernest Bai Koroma specifically recognised Emmerson\u2019s outstanding ability to raise public awareness through music. It is fair to say that the APC response has not been so positive this time, not that Emmerson seems perturbed. He told journalist Umaru Fofana<\/a> “I have made up my mind to do what I am doing and cannot stop now”.<\/p>\n

Striking a chord<\/strong><\/p>\n

One track in particular, \u201cMunku boss pan matches, e jus dae krach\u201d<\/a>, highlights the rampant corruption that \u2013 Emmerson charges \u2013 has become part of the culture of the APC government. The title translates as \u201cill-educated people who keep lighting matches one after the other, just to see the fire again, for no other reason than because they can\u201d. What this alludes to \u2013 and this was very clearly understood by the people I spoke with in Freetown \u2013 is the recent spate of corruption and the mismanagement of state resources by politicians and government officials only interested in advancing their own interests rather than the development of Sierra Leone. \u00a0An equivalent metaphor in English might be \u201clike kids in a sweet shop\u201d.<\/p>\n

With a playtime of 15 minutes, the lyrics of the song prod and probe at length. They question the commitment shown by all government departments to the construction of roads even when it is not within their remit to do so and despite the glaring needs elsewhere: roads are an infamous source of kickbacks. They condemn the empty promises made regarding jobs for youth. They accuse MPs of failing to represent the voters and of being \u201cunder the brown envelope payroll\u201d and question the validity of the \u201cmore time\u201d agenda<\/a> that supports an extension of the incumbent governments mandate, due to expire in 2018, to continue mitigating the disruption inflicted by Ebola. As for the president himself, Koroma is accused of accelerating his accumulation of wealth as he nears the end of his time in office and of indulging in a lavish lifestyle starkly at odds with that of most Sierra Leoneans.<\/p>\n

https:\/\/www.youtube.com\/watch?v=1pFTqLWXtlM<\/p>\n

 <\/p>\n

Public reaction\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0 <\/strong><\/p>\n

\u201cHe [Emmerson] sings for us,\u201d Foday Conteh, a taxi driver from the president\u2019s home town of Makeni, told me. From health workers, to university students and staff, to business owners the response of everyone I spoke to about the song was similar: a wry smile followed by a question as to whether I understood the meaning of the lyrics. There was broad agreement that Emmerson was speaking the truth.<\/p>\n

Of course, some disagree. Writing in Cocorioko<\/a>, editor and a diplomat appointed to the UN by President Koroma, Kabs Kanu asserted that \u201cEmmerson\u2019s lyrics did not reflect the true story about what President Koroma has done for our nation. There have been far more than just road construction in Sierra Leone. Every aspect of national development has been touched by the President\u201d. At various locations in Freetown, Airtel billboards depicting the artist were vandalised.<\/p>\n

Emmerson\u2019s accusations would be difficult to prove in a court of law, but they have certainly been embraced by a receptive audience. \u00a0Amid the blare of horns in Freetown\u2019s gridlocked traffic, the song resonates from the shared taxis on which so many commuters rely.<\/p>\n

For most Sierra Leoneans water shortages<\/a>, increases in the cost of living \u2013 the Leone has plummeted against the US$ since August 2014, driving up the cost of many foodstuffs – and a lack of formal sector employment are the everyday realities. Beyond new roads and a few token traffic lights, there is little sign of much-needed investment, for example in health care, education or agriculture. For now, citizens continue to endure the hardships with good humour. But if the wealth divide continues to widen, and poorer residents of Freetown are forced to suffer even more while a fortunate few thrive, there will come a point when something will have to give.<\/p>\n

\u00a0<\/em><\/p>\n

Jamie Hitchen is Policy Researcher at ARI. He wishes to extend special thanks to Joseph Macarthy for his invaluable assistance in bringing clarity to the song lyrics where he was unable to do so.\u00a0 <\/em><\/p>\n

\u00a0<\/strong><\/p>\n","protected":false},"excerpt":{"rendered":"

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